- WMSC-WMtn-08-09-23
- File
- [c. 1980s?]
Part of Whistler Mountain
Photographs depicting people skiing.
Whistler Photo Arts
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Part of Whistler Mountain
Photographs depicting people skiing.
Whistler Photo Arts
Part of Whistler Mountain
Photographs depicting a ski lesson on Whistler Mountain.
Whistler Photo Arts
Part of Whistler Mountain
Photographs depicting people waiting for a ski lesson at the Garibaldi Ski School bell.
Whistler Photo Arts
Part of Whistler Mountain
Photographs depicting a ski lesson on Whistler Mountain and people eating lunch at the Roundhouse.
Whistler Photo Arts
Part of Whistler Mountain
Photographs depicting a ski lesson on Whistler Mountain and people dining at the Roundhouse.
Whistler Photo Arts
The fonds consists of personal papers of Myrtle Philip, including education documents, journals, diaries, banking records, certificates and passports, legal and property records, correspondence, birthday and recipe books, postcards of the Alta Lake/Whistler area, scrapbooks, reference material, and photographs. The photographs depict the Philip family, people (including guests at Rainbow Lodge), events, and scenes of the Whistler area. The fonds includes Alex Philip's manuscripts, as well as records relating to his estate. The fonds also includes records of Rainbow Lodge, including guest registers (1915-1947), a cashbook (1928-1952), employee records (1941-1948), invoices, and receipts.
Philip, Myrtle
Part of Philip Fonds
Part of Philip Fonds
This colour photograph shows Ivan Ackery as an older man in what appears to be a bus.
On the reverse of the photograph is the following annotation: "'The' Ivan Ackery Friend of Myrtle's"
Myrtle and Maison Philip with Horses
Part of Philip Fonds
This photograph shows Myrtle and Maison Philip standing in front of a barn on the Rainbow Lodge property, each holding onto the reins for a horse.
Myrtle Skating on Alta Lake 1924
Part of Philip Fonds
These two photographs show Myrtle Philip skating on a frozen Alta Lake. In the first one (A), she looks out into the distance, and is farther from the lens. The second print (B), shows her at a closer distance, looking into the lens of the camera. Both photographs are taken looking to the North.